As Carnival Opens, Venice Honors Native Son Marco Polo on 700th Anniversary of His Death 

A statue representing Marco Polo is on display in a shop window during the pre-opening of the carnival in Venice on January 29, 2024. (AFP)
A statue representing Marco Polo is on display in a shop window during the pre-opening of the carnival in Venice on January 29, 2024. (AFP)
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As Carnival Opens, Venice Honors Native Son Marco Polo on 700th Anniversary of His Death 

A statue representing Marco Polo is on display in a shop window during the pre-opening of the carnival in Venice on January 29, 2024. (AFP)
A statue representing Marco Polo is on display in a shop window during the pre-opening of the carnival in Venice on January 29, 2024. (AFP)

Venice is marking the 700th anniversary of the death of Marco Polo with a year of commemorations, starting with the opening of Carnival season honoring one of the lagoon city’s most illustrious native sons.

Kicking off Carnival last weekend, some 600 rowers in period dress raised their oars in salute and shouted “We are all Marco Polo” as they rowed along the Grand Canal from St. Marks Square to the Rialto Bridge.

Other events planned for the year include a major exhibit at the Palazzo Ducale tracing Marco Polo’s 13th century travels to Asia. He chronicled his discoveries in his famous memoirs that gave Europe one of the best-written accounts of Asia, its culture, geography and people.

Venice Mayor Luigi Brugnaro said the figure of Marco Polo, as an explorer who managed to have dialogue with peoples of other cultures, is particularly relevant today. He said that is especially true for a city like Venice, which from the times it was a maritime republic and a center of trade has prided itself as a bridge between East and West.

In Venice this past weekend, a visitor dressed up as Marco Polo and a masked Carnival character carried a copy of his famous memoirs, “Il Milione,” which was translated into English under the title “The Travels of Marco Polo.”

Marco Polo was born in Venice to a merchant family in 1254 and he died here in 1324 after a quarter-century exploring the Silk Road and serving the Mongol Court.

In Venice, a marble plaque affixed to the side of one of the city’s palazzi reads: “These were the homes of Marco Polo, who travelled to the farthest regions of Asia and described them.”



Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
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Hong Kong Museum Puts Picasso in Cross-cultural Dialogue

Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP
Artworks by Pablo Picasso are pictured during the media preview of 'Picasso for Asia: A Conversation' at M+ in Hong Kong. May JAMES / AFP

More than a century ago, Pablo Picasso smashed the Sacre-Coeur Basilica in Paris into a web of tangled lines on his canvas, deconstructing reality with the brushstrokes of a master cubist.
At a Hong Kong exhibition opening Saturday, that painting will be shown alongside a more literal form of destruction -- a "gunpowder drawing" by Chinese-born artist Cai Guo-Qiang -- as part of a cross-cultural exchange, AFP said.
"Interest in (Picasso's) life and work hasn't subsided at all, including in Asia" in the half-century since his death, said Doryun Chong, artistic director and chief curator at the M+ museum.
The show will pair more than 60 masterpieces loaned from the Picasso Museum in Paris with around 130 works by Asian and Asian-diasporic artists.
Highlights include "Portrait of a Man" from Picasso's Blue Period, a 1937 horse head sketch for "Guernica" and "Massacre in Korea", a 1951 expressionist anti-war painting.
"Exhibitions on Picasso tend to be very monographic," said Chong, who co-curated the event.
"We felt that it's more productive for understanding Picasso... that we create these unexpected juxtapositions and dialogues."
Cecile Debray, president of the Picasso Museum in Paris, hailed the approach as being "decentered from the Western point of view".
The last major Picasso showcase in Hong Kong, a more straightforward affair, took place in 2012 and drew huge crowds.
In the intervening decade, Picasso's reputation has been dented by the #MeToo movement as critics decried his abusive treatment of wives and girlfriends.
"We are of course very open and honest about the rather disturbing aspects of his biography, but we also shouldn't let that determine the meanings of his whole career," Chong said.
Hong Kong officials have touted the four-month exhibition as part of "Art March", hoping that high-brow events at museums, fairs and auction houses can boost the city's international appeal.
Since opening in late 2021, M+ has seen more than eight million visitors -- a bright spot for Hong Kong's loss-making West Kowloon Cultural District.
Chong said the museum connects visual culture between Asia and the world, citing the example of how Picasso is placed next to self-taught local painter Luis Chan.
Chan, who drew ample inspiration from the Spanish master, was "of the older generation when formal training in art was not possible in Hong Kong".
"Still he felt connected to the center of the art world at the time in Paris, and the very important figure in that context (that is) Picasso."